Abaporu
Tarsila do Amaral painted Abaporu in 1928. MALBA connects it to Brazilian modernism and the Anthropophagic movement's effort to transform European influences through Brazil's Indigenous history.
Read the museum recordPhotograph a work in MALBA and Lensmark tells you who made it, when, and why it matters, with every fact linked to its source.
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MALBA
Buenos Aires, Argentina
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PrivacyIllustrative photo demo
Illustrative collection
The illustrative demo shows Michelangelo's The Creation of Adam in Vatican City. The demo and collection images illustrate Lensmark and are not MALBA collection works.
MALBA, the Museo de Arte Latinoamericano de Buenos Aires, follows modern and contemporary art across Latin America. Its catalogue brings together artists including Tarsila do Amaral, Frida Kahlo and Diego Rivera. Collection history
The museum opened in September 2001 with a founding donation of 220 works from Eduardo F. Costantini. Painting and sculpture sit alongside prints, drawings, photography, installation media, textiles and design in its account of Latin American art.
Its collection strengths include twentieth-century Latin American art, Latin American avant-gardes, surrealism and art-politics movements, and abstraction and concrete art.
Tarsila do Amaral painted Abaporu in 1928. MALBA connects it to Brazilian modernism and the Anthropophagic movement's effort to transform European influences through Brazil's Indigenous history.
Read the museum recordKahlo's 1942 self-portrait is painted in oil on Masonite. MALBA links her Tehuana hairstyle to Mexican cultural identity and identifies the painting as part of Colección Malba.
Read the museum recordRivera's 1928 painting shows women in the traditional clothing and hairstyles of Tehuantepec. MALBA's exhibition account credits it to Colección Eduardo F. Costantini, distinct from the museum's own collection.
Read the museum recordThese are collection records, not confirmation that the works are on display today.
MALBA permits personal, non-commercial photography in its galleries without flash. Professional photography enquiries go to its press office; museum spaces are not available for photo or audiovisual productions unrelated to its exhibitions, whether commercial or non-commercial. Read its current visitor conditions and follow gallery signs before taking a photo. MALBA photography policy
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